Ten years ago, Benjamin Jephta introduced himself to the world with his debut album Homecoming, a record that announced the arrival of a new South African jazz voice. Fast-forward to 2025, and Jephta is revisiting that milestone with Homecoming Revisited, an album that reflects not just his musical growth, but the collaborative spirit and resilience of the South African jazz community.
“This album is a celebration of my journey and growth as an artist,” Jephta says. “It’s as much about personal development as it is about the community of musicians who have supported and influenced me over the years.”
Collaboration at the Heart of the Music
If jazz is a conversation, Homecoming Revisited is a vibrant dialogue spanning generations. Jephta jokes that it has “more features than an amapiano album,” highlighting the roster of musicians lending their voices to the project. Veteran trumpeter Marcus Wyatt joins younger talents like Kujenga, saxophonist Linda Sikhakhane, and trumpeter Ndabo Zulu, each contributing their unique flair.
“Working with these musicians has been incredibly rewarding,” Jephta says. “Every artist brought something special. It’s a reminder of the power of community in music.”
Lead Single: “Still I Rise (Part 1)”
The album’s lead single, Still I Rise (Part 1), draws inspiration from Maya Angelou’s iconic poem, translating its themes of resilience and hope into a distinctly South African sound. Afrobeats rhythms meet jazz improvisation, while vocals by Kujenga, Zulu’s trumpet, Sikhakhane’s saxophone, and Leagan Breda’s percussion create a layered, uplifting anthem.
“This track is about rising again despite challenges—personal, societal, or collective,” Jephta explains. “Over 30 musicians contributed to this track and the wider project, and that sense of community is what gives it its energy and joy.”
Revisiting and Evolving a Decade Later
For Jephta, Homecoming Revisited is both a celebration and an evolution. He has reimagined the original album with new arrangements, collaborators, and sonic textures, incorporating Afrobeats, Amapiano grooves, and the rich traditions of South African jazz.
“The title itself has layers,” he notes. “It’s about returning to roots, identity, and community while acknowledging how far I’ve travelled musically and personally. It’s not just nostalgia—it’s about recognising how ‘home’ continues to shape and ground me.”
Lessons from Ten Years in Music
Reflecting on a decade-long career, Jephta emphasises longevity, authenticity, and community over fleeting accolades. “Early on, success felt tied to big moments awards, recognition, international gigs. Now it’s about creating work that resonates, collaborating meaningfully, and contributing to the community,” he shares.
South African jazz, Jephta says, thrives on a delicate balance: honouring tradition while embracing innovation. By integrating contemporary sounds like Afrobeats and Amapiano, he sees his role as both a custodian and a boundary-pusher within this rich musical lineage.
Bringing the Album to Life
Live performances for Homecoming Revisited promise to be a celebration of both Jephta’s journey and the wider jazz community. “Fans can expect big, collaborative energy,” he says. “There will be moments of nostalgia, surprises, and a sense of homecoming—a gathering of sounds, people, and stories.”
Why You Should Listen
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Growth and Collaboration – Over 30 musicians come together, celebrating both personal evolution and community spirit.
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Tradition Meets Innovation – South African jazz blends seamlessly with Afrobeats and Amapiano.
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Resilience and Reflection – Tracks like Still I Rise (Part 1) explore perseverance, hope, and the meaning of home.
Homecoming Revisited is more than a decade-long reflection; it’s a living testament to the vibrancy, resilience, and evolution of South African jazz.
Source: IOL
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